Flash Fiction… Mike Tyson’s Carrot

images (9) A while back I was interviewed for the inaugural issue of the online magazine Write Mag. During the interview, Anthony Vernon asked if I could write a good flash fictionimagesCACEJK1Z story that could make Mike Tyson eating a carrot seem interesting:  Here’s the result.   For the rest of the interview of more info on Write Mag, click here.  Enjoy!

Q- If I forced you to write a story about Mike Tyson eating a carrot do you think it would be a good story?

A-     Why don’t I write one and you be the judge?  This is off the top of my head, so let’s hope it makes sense.

“Eh, is that Mike Tyson walking down the street?” Yellowfeather, asked.

“Where?”  Tom Hawk asked.

“Are you blind?  Right there,” Yellowfeather said pointing with his chin across the street.  And he’s munching on a carrot.”

“Nah, you’re crazy. That ain’t Mike Tyson. And that’s no carrot, now, is it?  It’s George Foreman and he’s smoking a cigar.

“Caw, you can’t smoke a carrot.”

“You can’t eat a cigar,” Tom Hawk insisted.

“He’s getting away!  HEY MIKE! MIKE TYSON! WHERE YA GOING?” Yellowfeather shouted.

The man across the street kept walking, either not hearing or ignoring the voice calling after him.

“You fool, I told you that wasn’t Mike Tyson, it’s George Foreman.  Watch and learn.”  Cupping his hands about his mouth, Tom Hawk bellowed: “MR. FOREMAN, HEY MR. FOREMAN.  I imagesCAK7WA1BLOVE YOUR GRILL. MY MOM COOKS ON IT ALL THE TIME.”

The man seemed to not hear Tom Hawk’s cries and slipped inside a bar. Being too young to drink, even too young to go inside, they sat outside the bar and waited. Every time the door open the two friends jumped up only to be disappointed.  Soon the sun dropped lower in the sky, and a chill settled over the town.

“Hey,” Yellowfeather asked a drunk stumbling out of the bar. “Is Mike Tyson in there?”

“Huh? Oh yeah, sure kid.  And he’s belting ‘em down.”

“See, I told you,” Yellowfeather told his friend.

“Naw,  you gonna believe a drunk?  Let’s ask the next guy.  I still say it’s the grill guy,” Tom Hawk insisted.  Just then, the front door swung open. “Hey mister, is George Foreman inside?”

The drunk laughed. “Yeah, he’s in the kitchen flipping burgers like a champ.”

The boys bantered back and forth until the sun sunk beneath the hills and the chill turned cold. Soon their teeth were clacking louder than their voices.  Yellowfeather spoke up: “Hey listen, I’m getting cold. I don’t really care if it was Tyson or Foreman, I want to go home, how about it, eh?”imagesCA9CT7GZ

“But what about finding out?”  Tom Hawk asked.

“Let’s flip on it.”  Yellowfeather said.

“Okay.”

“Heads it was Tyson, tails it was Foreman.”

“But was it a carrot or a cigar?” Tom Hawk asked.

“We’ll flip on that, too?”

“You have a quarter?”

“Nope.  How about you?”

“Nah, don’t have one.”
“Man, now we’ll never know,” Yellowfeather complained.

“What do you mean, I’m telling you, it was George Foreman,” Tom Hawk insisted as the boy’s shadows slipped from the streetlight’s glow.

True Ghost Stories: Hollywood Movie Director Armand Mastroianni Joins Us Around the Campfire

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by Betty Dravis

Many of our readers grew up with TV series like Rod Serling’s Twilight Zone, Tales of the Crypt and Dark Shadows, not to mention Alfred Hitchcock’s horrific heart-attack scary movies which are masterpieces of the craft.  I love all those shows, as well as the horror/thriller movies directed by our top-featured guest today, acclaimed Hollywood Producer/Director Armand Mastroianni.

Read more… 3,411 more words

Early in October, fellow author Betty Dravis asked if I would like to whip up a 'true' ghost story for her blog.  I couldn't resist. Those of you who know me, know all about the resident ghosts at my business.  I joined in with five other author/story tellers, to share our hair raising tales just in time for Halloween.  While you're in the mood for a chilling ghost story, click Nightwatching's  cover on the right sidebar and if you're lucky you may find it free. Hint, your quest will be productive on the 30th and 31st.  Till then, enjoy the following True Ghost Stories:

Night School

Tonight, we’re at it again – it’s time to terrorize another author, so before our guest arrives, please grab the chair and drag it out  and while you’re at it, warm up the cattle prod. Let’s make make tonight’s guest sweat.  Now that you’re on board, lets bring out Michelle Cornwell-Jordan, the brains behind the creepy novella Night School

J) Michelle, when you were a kid, did you like English class? Did you

Michelle Cornwell-Jordan

ever imagine being a writer? When did you pen your first story? Tell us about it.

M) I was 10 years old when I penned my first story, and yes, I always knew I wanted to be a writer; of course wanting and doing are two different things. I’ve wanted to for years; I have only recently got around to the doing:) I loved the literature portion, but all else… I viewed as a necessity. I believe English as a subject, is important of course; it is the vehicle in which the story moves…but I’ve always enjoyed designing the story a little more than the rules:)

J) I hear you, rules are meant to be broken. Anyway, does your locale influence the setting(s) for your works? If yes, how so? If not, why not?

 M) Yes, the idea for Night School: Vampire Hunter, was planted when I first saw the local Children’s Home called the Pythian Home here in Texas. I just knew that I had to write a story with the Children’s Home as a backdrop!

J) Would you consider dabbling in a new genre, if so, what would it be?

M)  I believe that actually Science Fiction has gotten my attention; now it would probably lean more towards Fantasy…but yes, I am enjoying the stories that I have read with a Science Fiction bent and I do believe I would like to try my hand at it!

J) Do you feel it’s important to focus on one genre or do you like to journey across boundaries?

 

M) Well, I believe it depends on the writer and how well he/she is at developing and guiding the story. If it can be done without confusing the reader, then I believe that crossing the boundaries are fine…I believe it’s good to focus on one genre, build a readership, but every once in awhile… to keep things fresh, do something a little different:)

J) Stephen King said he writes for a particular person, in his case his wife Tabitha – do you write for a particular reader?

 

M) Answer: Yes, my daughter…when writing I’m always thinking…”okay…how would she like this?” John, I have a question for you.

J) YEAH?

M) Do you trust me?

J) Hmmm.  Should I?

M) How about if we play a little trick, and put someone else on the hot seat? And let me ask the questions. After all, I have a radio show.

J)  Who do you have in mind?

M) That would be Angel, she’s the resident protagonist of Night School.

J) Sure, why not… Take it away Michelle. 

M) Thanks John,  now just hush and let us gals do the talking!  Angel, I am so glad that you are joining me and helping me out today:)

The star of Night School, Angel

Angel: Oh, no problem:)

M) I wanted to first start with the question, how does it feel to have an entire book written about you and your experiences? Now that the book’s going on tour, that will be even more eyes on you?

A) It was weird at first, so many people talking about well… I don’t know my life. I mean… I was just trying to keep myself and my brother alive, (you know…Vamps can be hazardous…); trying to be a normal kid, when all of a sudden, I have an audience! But its okay, everyone has been pretty cool, so I’m getting used to it.

M) I can only imagine…wow…okay, next question…Have you always known that you were this phenomenal, wicked, Vamp Hunter, and that with your special essence, it’s believed, you are destined to change the human and supernatural world forever!..(Um, take your time with that one:)

A) Okay, wow…you just put that one right out there huh? Um, no… I didn’t know that I was to be the key in some type of apocalyptic, battle with mankind…thought I was just a normal kid that had luck that sucks…But the perks are awesome!…now that I am trained, I’m getting faster and stronger and learning more moves…I can even take on Ismet..

M) For our readers, now who is Ismet again? And also how do you get along with the other girls?

Angel) Ismet is one kick butt Jinn (Genie), she’s not from some bottle that crosses her arms and blinks on command; She is from an old race of beings that evolved from Fire…they are the protectors of the Divide…

M) The Divide?

Angel) Yep, I just learned about all of this too…the Divide is the barrier between the supernatural world (unseen to us) and ours. Ismet was one of the greatest warriors amongst her people…

M) How did she end up at Ame’ Academy? There must have been a great threat to warrant such a fighter to be here???

Angel) It was. Me.

M) Oh…okay…well, how about my second question, do you get along with the other girls? I believe you all have made somewhat of a team, correct?

Angel: We’re a team now, but at first…I wasn’t sure… I’ve always liked Elin (she’s half Vampire/half Human) the sweetest kid you’ll ever meet, unless you threatened someone she loves…then wow, she’s scary…and I already told you about Ismet, I have much respect for her mad skills:)

M) And?

Angel: (Sigh)…and yep, there’s Belladonna, a stuck up Natural- Born Vamp that I am surprised I haven’t staked yet!

M) Is it the fact you’re a Hunter and she’s a Vampire? Even though, the Natural-Born Vamps pose no threat to Humans?

Angel: No, it’s from the fact she’s a snob, and always trying to give me a makeover!

M) Lol….well, I’m sure ALL of you make a great team, you are really cleaning up Kincaid Texas:)…but aren’t you’re leaving out someone….Rafael? What IS your relationship with him?

Angel:O-o-o-kay…didn’t think you would bring HIM up! Well, he’s just RAF…he’s my friend…He sort of just showed up at Ame, and well that’s when things got really weird! Then things got really bad…dark, and when I didn’t think I had anyone, well Raf was there…

M) Alright:) What is Rafael? His mad skills?:)

Angel: Um, I rather not say…he just is…:)

Me) Fair enough, thanks for the interview!

Angel: See, not so bad right? Even though, you threw in some tough questions!

Me) Lol, well, you’re a good sport! I guess will wrap this up…see you around Ame’ Academy:)

Angel: Yep, me and all the other creatures of the night!:) Lol!

Michelle Cornwell-Jordan is a book lover, with YA paranormal adventures as her favorite genre, although she can be a glutton for any young adult title. Michelle’s other love is writing, Michelle has been writing about as long as she has been a bibliophile! Losing herself in a fantasy world that she or others have created is how she loves spending her spare time…

One last thing about Michelle, she believes that she has her own secret powers:)

 

One of those secret powers is how words flow from Michelle’s pen. To learn more about her or to attend Night School, check out these links:

Indiewritersreview: http://indiewritersreview.wordpress.com/

Goodreads: http://www.goodreads.com/author/show/5303071.Michelle_Cornwell_Jordan

Twitter: @mcjordan37

FaceBook: http://www.facebook.com/pages/Indiewritersreview-YA-blog/243295842393117

Buy Link Amazon: http://www.amazon.com/Night-School-Vampire-Hunter-ebook/dp/B007MCMJA8/ref=sr_1_1?ie=UTF8&qid=1337941957&sr=8-1

Michelle, thanks for stopping by and bringing Angel with you!

Guest Post – Jason Derr

Tonight I’m stepping aside to make room for Author Jason Derr, who has graciously agreed to give it a go with you, my dear followers. Please be nice and give him your attention and don’t throw any vegetables in my blog. Thanks to Jason, I can take the evening and work on my chess game, write another chapter and consume copious amounts of popcorn.

Take it away Jason:

Adventures of a Guest Post
By Jason Derr
Author: The Boston 395

I want to woo you, Gentle Reader, with tales of my own wit and creativity. Seduction, really, is the game. I must seduce you into wanting to read my book. But, alas, I am out of perfume and I, male that I am, never perfected feminine wiles.

But, before I leave you to your own devices, I will instead talk to you person to person. After all, I have your attention, so why should we talk.

I want to talk to you about the craft of writing and of my own book The Boston 395.

Who isn’t a sucker for seduction?

Tom Hanks once said that his job as an actor was to hit your mark and tell the truth. Telling the truth, as an actor, though involves lying. It involves taking on another persona, telling a story that is not your own to people you will never meet.

So it is with writing. Our job is to fill the page and speak the truth. We speak the truth by telling lies.

For instance – I know of no trains that bend the rules of space and time, whose every stop exits into a broken life. If such a train does exist please, would someone point me towards it? I would like to ride such a thing and find out if my description of it were accurate.

So, my train is a lie.
But I hope it tells some sort of truth – about being broken and being

Author Jason Derr

transformed. About healing and wholeness.

So it is Gentle Reader that I will leave you with those thoughts. More of a sketch really, some words to invite you into thinking and, I hope, reading.

Fill the page of your life, tell the truth

 

 

 

 

Thanks again Jason.  I have to say, when I’m done my current fascination with Updike, Boston 385 is next on my kindle.

Good luck and please stop by again in the future!

Radio Interview this Saturday Night

The Bar Nazi demands that you listen this Saturday Night!

I’ll be invading Ashley Fontainne’s Blog Talk Radio program this coming Saturday Evening, April 14th at 7:30 Eastern, 5:30 Mountain. We’re planning to yap it up about Cemetery Street.  You can listen to the program live here.  Anybody that calls in at (914) 338-1414,  I’ll slip  an e-copy of Cemetery Street or Shangri-La Trailer Park.  If you’re really nice,  I may even send you an autographed paperback copy of Cemetery Street.

If you miss the show, the Bar Nazi may send his henchmen.  Just kidding, I’ll post a link so you can enjoy my torture.

Drag Out the Chair…

With Spring Training in full swing, I thought it appropriate to throw a curve ball.  This week I’m featuring Georgia Saunders – author of Home Street Home.  HSH is a terrifying account of homelessness on the streets of Virgina Beach. Before we dust off the chair, dim the lights,  and drag Georgia out for interrogation, take a moment to read what I – The Great Pontificator – have to say about Ms. Saunder’s Opus:

Stephen King has nothing over Georgia Saunders, and the horrors Ms. Saunders writes about within Home Street Home aren’t figments of the imagination. Yes, the title is a work of fiction – a very fine one at that – but one gets the feeling real experience lurks within the author’s words. Saunders handles the subject matter with finesse as she guides the reader through the streets, homeless shelters and camps in and around Virginia Beach.
This reader couldn’t help but feel the fear, frustration, the not so silent desperation and annoyances of everyday life, nor could I ignore the camaraderie, friendship and hope that each of the characters felt. The squabbles in the shelter, the fights in the camp, the squawking of seagulls all leapt off the page and rang in my consciousness.
From the inconveniences of bathroom use, to the struggle for food, and the horror of selling body and soul for a pinch of comfort and a dash of security, Saunders translates the stark reality of everyday struggle of life on the street. Home Street Home is both chilling and inspiring, demonstrating throughout the weaknesses, frailty, and ultimately the resiliency of the human spirit. For anyone with a pulse, this is truly a must read.

The Bar Nazi demands that you read Home Street Home!

As the Bar Nazi drags out the chair,  and before we give Georgia the treatment,  allow me to say that Home Street Home has been entered into a contest featuring books set in Tidewater, VA. Voting starts Friday, March 23rd.  Click here for more info. If you don’t vote for HSH, the guy to your left may be knocking at your door. :)

To the interview!

JAZ – Home Street Home is set in and around Virgina Beach, why not NYC, Philly, or LA? Personally I liked the choice of Virgina Beach. Like many others, I have wonderful childhood memories of the town, and felt the juxtaposition riveting.

GS) It’s set in Virginia Beach mostly because that is where I had occasion to observe all that drove me to write this story. It was only as the novel came together that I realized how the juxtaposition added another level to the dramatic effect. I have to say that I have seen homeless in other cities in much worse conditions that can be found in Virginia Beach, and I have also found the citizens of the city, for the most part, of a compassionate and quality bent.
I’m proud of how the city has responded to its homeless problem overall, especially recently. I just came from the Hampton Roads Regional Conference on Ending Homelessness and I was very encouraged by the level of understanding I heard in the presentations. We need to think in terms of homes, not just hot soup and good wishes; homes, not just warm mittens and hats for them to brave the cold in; homes, not an expanded sheltering industry. The speakers at the conference seemed to get that. I hope Hampton Roads will be among the models that show we really can end homelessness, instead of just aiming to put more bandaids on it.

JAZ – One gets the feeling you’re drawing from experience. Which leads me to ask is HSH mostly veiled experience? Why not pen a memoir and present it to the world as non-fiction. Don’t you think doing so would raise more fanfare for homelessness?

GS)  I’m going to have to disappoint you on this. My characters draw on the experiences of many different people and are created to convey the feelings aroused by different facets of the homeless experience, without telling any particular individual’s personal story. On the question of my memoir, I fear it would quickly be tiresome and lacking in drama.
I chose to write fiction, because readers can be drawn into a character emotionally and experience second-hand the actual minute by minute aggravations and sufferings of being homeless. There are already so many excellent non-fictional accounts of homelessness that serve an important purpose. However, I felt that, as in the case of Uncle Tom’s Cabin, Grapes of Wrath and Oliver Twist, to name only a few of the socially conscious literary fiction genre, the dramatic story well told, awakened the emotional response of the nation in a way that non-fictional treatments of each of those social issues respectively had not been able to do.

JAZ – As I read HSH, I imagined Georgia the writer observing real events and using her storytelling prowess to generate Ella’s point of view. Is Georgia the writer one of the peripheral characters? If so, which one? Am I onto something, or am I all wet?

GS) You are quite dry, and quite onto Georgia’s greater part in the trilogy of novels. In books two and three, you’ll see Georgia from others characters’ eyes and you’ll see how she fits into the story. You get a hint in book one when Blondie throws her journals away and Georgia is the one there who sees and reacts to that. In book two, Georgia will have a series of interviews with Blondie where they will read Blondie’s journals together and Georgia will try to understand what drove Blondie. Blondie tells us her whole story, and we start to understand the nature and depth of her love for Gabriel, and the bond that the street experience has created.

JAZ -  In an environment where hopelessness, cynicism, and dysfunction reign supreme, how did you keep your sanity?

GS) I used various techniques including self-hypnotism, meditation and art to keep myself cushioned mentally. And when all else failed I would tell people to f**k off, in much the manner I imagine you yourself would have done in the same situation.

JAZ -As the story progresses, the reader sees a radical shift in Ella’s character, her faith in the laws of society wane only to be replaced by the laws of the street, did this happen with you and did you recognize the shift as it was occurring?

GS) First, I should tell you that I had a lot of cushioning in my experience, much in the manner that Blondie did. (No, I am not Blondie, only similar in certain points) I experienced the tendency toward the shift, and being very aware of it helped me to resist it pretty well. I place a pretty high value on civilized behaviors and hope that nothing could induce me to abandon them. However, I often saw its ravages in others’ lives, and feel certain that had I not had that buffer, I could have succumbed.

JAZ -  Let’s talk about the Grants. I found the subplot engrossing, and it left me with lingering images. What was the impetus for their inclusion.

GS) I don’t want spoil anything for those who have not yet read Home Street Home – The Virginia Beach Chronicles so I can’t say too much. My intention was to so involve the reader in the very decent Grant family’s struggle to keep from becoming homeless, that the family’s situation at the end of the story would pack a strong wallop of compassionate identification. These characters are not the “other” people we read about in the newspaper, or pass on the street with some level of fear and revulsion. They are traditional, hard-working young parents totally involved with their kids – they seem to be doing everything right, but they are treading water in a precarious economy. Many today can relate to that.

JAZ – If you were on a deserted island, and you had three books, would yours be one of them? Why or why not?

Gilligan spelled street wrong!

GS) Oh my book would definitely be one of them – maybe even all three. Knowing me I would just keep revising and rewriting them until Gilligan and the Skipper found me.

JAZ  -  If you were counting on Gilligan and Skipper to find you, you would have a lot of time to perfect an already impressive piece of literature. Anyway, thanks so much for stopping by and talking about homelessness.

If you haven’t read Home Street Home, I would suggest doing yourself a favor and pick up a copy.  You may find it a true horror story. During and after the read, I found myself conducting a personal inventory which yielded the same result: I’m one lucky sucker.   Hopefully you are too.

Drag the Chair out for Linda Hawley

The man in black cracks his knuckles before adjusting the light, focusing its beam on today’s hot seat occupant, Linda Hawley, author of the Prophecies series. Could the man in black a government operative set on learning about the inner-workings of GOG? Read on, and discover the answer for yourself! Join me and welcoming Linda, who has graciously agreed to be drug away from her family this Thanksgiving.   JAZ) Linda, do you feel it’s important to focus on one genre or do you like to journey across boundaries?

LH)I think it’s important to stick to a genre if you want to make a living as a writer.  Once an author develops a fan base, those readers will be loyal and buy other books you write in that same genre.  If you change genre’s, you risk alienating the fan base you’ve already got.  It’s also important to publish regularly in that genre, to keep feeding your fan base with new material.

JAZ) Lots of people enjoy well-crafted first sentences, others enjoy last sentences. Do you give any extra attention to either?

LH) It was my 12 year old daughter who taught me a lesson about the first sentence in a novel.  I was with her in a library, and we were searching for some new books.  I saw her looking at book after book rapidly, opening the cover.  I asked her what she was doing.  She replied that she was reading the first line of the first chapter; if it wasn’t any good, she wasn’t going to read the book.  At the time, that was new behavior to me. After that, I made sure that every one of my books started off with something intriguing.  As a matter of fact, I really work hard to make the first chapter of my books grabs the reader and won’t let them go. Similarly, I make sure my last sentence will make the reader want to buy the next book in my series.

JAZ) It is said writing is a courageous act. Have you ever written anything that has tested your intestinal fortitude?

LH) My series, The Prophecies, is original material that many book reviewers are saying, “I’ve never read anything like this before in my life.”  It’s politically incorrect.  It touches on many hot issues that writers steer clear of, for fear of controversy.  (It’s still a ‘clean read.’)  Writing this series took courage, and once you read it, you’ll know what I mean. The series has been rewarded with primarily five-stars, which is a testimony that original work is still well-received.

JAZ) Stephen King said he writes for a particular person, in his case his wife Tabitha; do you write for a particular reader?

LH) I write for the world–not for just an audience in the USA.  I write so that people in the world will ask themselves, “Are you kidding?  Is this really going on right now?”  Once they ask themselves the question, I hope they will do one thing differently in their lives.  Movement…change in another direction…is why I’m writing my series.

JAZ) Post a snippet or first chapter of any of your works. Brownie points for including the first and last sentences. LH) Here is the first chapter of Dreams Unleashed, book one of The Prophecies series (including the first sentence):





I hurried off the metro at the Union Station stop, looking around to see if anyone followed.

Okay so far, I silently encouraged myself.

After quickly negotiating the crowd, I approached the escalator.  Taking the steps two by two, I tried to make my body move as smoothly as possible, so that I wouldn’t attract attention.  I kept touching the moving handrail, trying to ground myself, though my heart was nearly beating out of my chest.

How could they have known?

After climbing halfway up the escalator, I was blocked by an elderly couple.

Move…move…move, please.  I wanted to shout.

But they didn’t move.

Looking up to the turn-of-the-century arched ceiling far above me, I tried to relieve my anxiety.  With a jerk, the escalator reached the top and dumped me out.  I moved around the couple and began to walk as fast as I could, passing through the eighteenth century columns, walking evenly on the marble floor.  The main hall was filled with people, all of them busy, seeming to move in every direction at once.  I could smell the grease from the food court and felt bile rise up in my throat.

Focus on the light…focus on the light…you can make it.  I coached myself.

I could see the exits under the three archways directly in front of me.  Weaving through the masses, I tried to make my way to the doors.  Reaching them, I passed under the centurion statues and pushed past a rush of people going the opposite direction.  I collided with a man but pressed forward, still trying to get away.

After passing through the door, I looked behind me, half expecting to see pursuers.  I ran across the loading and unloading lane and was nearly hit by an eager driver.  Grateful to reach the brick walkway that surrounded the Christopher Columbus fountain, I stood behind it, breathing deeply.  This would block me from the view of anyone in the station.

Regroup, Ann.

I had hastily gotten off the metro at Union Station, thinking that it would be easier to lose myself in the middle of D.C. than in Pentagon City, where the FBI had chased me.  After meeting my contact there, we saw almost too late that we’d been shadowed.  We then split up using the standard protocol.

Think quickly, I urged myself.

From behind the fountain, I carefully glanced to the entrance of the station, but my wrist was painfully grabbed from the other side by the crew-cut twenty-something I had bumped into earlier.

If he’s here—that means there’s more.

I whipped around and, with my free hand, shoved my Taser into his groin, delivering 2.7 million volts of resistance, while simultaneously yanking my other wrist away as hard as I could.  Almost instantly, the man crumpled at my feet, and I sprinted away.

My mind raced.  Where can I go?  Panic gripped me, but I tried to think clearly.  Kelly’s restaurant, I thought.  It was only a couple of blocks away, and I could call from there.

Scrambling across Columbus Circle, I ran west on Massachusetts Avenue.

It should only take me a couple of minutes…  F-street…it’s on F…I think.  I knew Brian Kelly, the owner, and a couple of the waiters at Kelly’s Irish Times from my time as a journalist in D.C.  If one of them was there getting ready to open for dinner, they would let me in.

When I saw a break in traffic, I ran across Massachusetts Avenue and glanced to my left to see if anyone was pursuing me.

All clear.

After high-tailing it up F-street, I finally reached the green awning marking Kelly’s.  I knocked on the door, slowing my breathing, and hoped there was someone there that I knew.

If I can just get inside, they’ll never think to look for me here with the restaurant closed.

I knocked for about fifteen seconds, seeming like an eternity, and then saw Brian approach the door wearing a stained white cook’s apron.

“You know we’re not open for another hour or…Ann, lass.  It’s been a while now, hasn’t it?  Come on in then,” he said eagerly, opening the door.

I stepped in and turned once more to see if I was followed.  It looked safe.

Brian closed the door and reached down to hug me with his stocky frame.  I could feel his bristly beard on my neck as he briefly squeezed me.  He put his pudgy hands on both of my shoulders and peered down to me with his dark eyes.

“To what do I owe this pleasure?” he asked.  His deep, smooth voice held a note of concern.

“I’m working on something that’s gotten a little tricky.  Do you think I could use your bathroom and make a call?” I asked.

“Of course.  You take all the time you need,” he said.

“Thank you,” I said gratefully.

“If you need anything, you come get me,” he said, patting my shoulder, then looking out the window before he locked the front door and walked back toward the kitchen.

I had known Brian for many years.  While I was a reporter, he occasionally gave me insider tips on stories I was working on.  I knew I could rely on his discretion.  After making my way to the back of the restaurant, I pulled open the green wooden door of the women’s bathroom.  The door looked like it had been painted one too many times.

Inside, every available space of the light brown bathroom walls bore plaques bearing Irish platitudes.  I set my messenger bag in one of the two vintage sinks and plugged my used Taser into an outlet near the floor.  Then I pulled my second Taser from the bag and put it in my coat pocket.

Standing there at the sink, looking at my reflection in the mirror, I prepared myself to make the call.  I needed help.

I dialed and waited as the cell phone rang three times, “Hi…leave me a….”

Crap—Bob’s voicemail.

I tried to consider my options.  I could call the clandestine switchboard, but they might already have me flagged.  That wouldn’t work.

I’m a fugitive now.  They’re hunting me.  They think of me as a weapon.  Plus, I just Tasered crew-cut boy.  I’m gonna have to go underground now, I thought grimly.

Reaching into the bag, I pulled out the Ziploc bag containing the last secure cell phone I had.  I quickly assembled it, then pressed the timer of my watch.

I called the local phone number I had memorized.

“B40 for extraction, code red,” I said urgently upon hearing the beep.

I hung up and watched my timer.  I had four minutes before I had to destroy the phone.  I looked up and noticed one of the wall plaques, “May the bearer of the news be safe.”

No kidding, I thought ironically.

Thirty seconds later, the call came.

“Yes,” I answered.

“Code?” he asked.

“Cherry blossoms,” I replied, using the memorized code.

“D.C.” he confirmed.  We’ve got your location.  Seven minutes—we’re en route—back alley.  Injuries?”

“No.”

“Stay safe,” he said, crisp but cautious.

Hanging up, I looked at my watch to see how long the phone had been traceable.

Three minutes—maybe they didn’t locate me.

After pulling the phone apart, I stomped on it, then threw all the pieces in the sink, turning on the faucet.  The soft sound of the running water would have been calming in any other situation.

I restarted my stopwatch.  They’ll be here in seven minutes.  Grabbing the pieces of the cell phone from the sink, I tossed them back into the Ziploc and threw the bag in the empty trashcan, covering it with some clean paper towels.

I have to stay here…they won’t be able to find me if I leave, since that was my last safe phone.

Three minutes.

Pounding on the front door of the restaurant sent a buzz of adrenaline through me.  They found me.

I quickly grabbed the recharging Taser from the wall and tossed it into my messenger bag, which I draped across my body, freeing my hands.  Slowly opening the bathroom door, I slipped into the dark back hall.  I could hear Brian’s deep, full voice from the next room.

“Can I help you?” he asked coldly.

“FBI,” said a male voice.  “We’re looking for a woman that’s in this area, about 5’9″, Caucasian, mid-forties.  Seen her?”

Brian didn’t hesitate.  “We’re closed, haven’t opened for dinner yet.”

Silently thanking Brian, I moved down the narrow hall toward the battered, brown service door.  Touching the button for light on my watch, I checked the time.  Less than two minutes.  I tried not to panic, though adrenaline was tingling through me in rushing bolts.

The conversation between them was so distant that I couldn’t hear it.  Preparing myself to open the door, I pulled the second Taser from my pocket, looped the strap around my wrist, and instinctively pushed the button to turn it on.  If anyone tried to grab it from me, the loop would pull out the arming pin, disabling it.

Turning the dented brass knob, I pushed open the back door slightly, peering out into the alley.  My eyes fell upon an overflowing dumpster for a brief second, then the door was yanked open from the outside.  I turned to run, but a crew-cut clone grabbed me by the hair.  I twisted around and was able to jam the Taser into his exposed armpit, and he fell to the ground, convulsing with a heavy thud.  As my hair was released, the SUV rounded the corner of the alley, and I ran for it, hoping I was running toward friends.

 

 

Linda, continued good luck with The Prophecies series and thanks for stopping by.


			

Hot Seat for you… Terry Callister!

“May I help you? What are you doing here? Oh you’re looking for Terry? You’re early.”  I gaze at the clock:  “Oh my, I’m running late, you’re on time.  Here, help me drag out the chair.”

“There, that looks good. Lets bring in Terry, do  you know he’s the author of  The Catalytic Programme and A Lucky Break.  Psst. He’s a Brit, he has that funny accent. Let’s see if he keeps a stiff upper lip.  Okay bring him out. Don’t worry, he won’t bite, kick or scratch… I think.”

JAZ:   When you were a kid, did you like English class? Did you ever imagine being a writer? When did you pen your first story? Tell us about it.

TC: I accepted the fact that I had to go to school so was ambivalent about most of the lessons. I enjoyed the practical stuff, woodwork, metal work which is probably why I trained as an engineer after leaving school. Mr Smith my English teacher once said my talents lay in other directions, so the thought of being a writer never occurred to me. That is until about 45 years ago when I penned my first novel “When?” It was about racial riots in London. I submitted it to various literary agents and publishers and they all said it was too far fetched. Unfortunately a few years later police constable Keith Blakelock was murdered during just such a riot in Broadwater Farm Estate, Tottenham, North London.  After the fact would have been pointless and unfortunately I lost that manuscript during a house move.

JAZ:  Does you locale influence the setting(s) for your works? If yes, how so? If not, why not?

TC: My first published novel “The Catalytic Programme” was set world wide, The USA, UK, Spain, Hong Kong, The Philippines, Canada and back to the USA. My second novel “A Lucky Break” was set in London and the North London suburb of Kentish Town in the year 1647. I’m an expat Brit (born just outside London) living in Spain but so far nothing of a Spanish story has entered my mind. Perhaps one day? They do say you should write what you know so where I was born has probably been where the influence came from.

JAZ:  If you could pick the mind of one of the greats, who would it be? What would you ask them? Would you ask them to critique your work?

TC:  I assume by one of the greats we are talking about the classicsauthors, sorry but I’m not into them at all. If I could speak to a contempory writer it would be Robert Ludlum and I would ask him, why, when his early books were so good did he pump out such rubbish later on, silly plots, ridiculous escapes etc? Tom Clancy is the same, one of his stories, the title was forgettable stated, “this will make the Spanish Civil War look like a tea party” which if he had done any serious research he would know was a major conflict in which hundreds of thousands lost their lives. The book was an insult to the entire Spanish nation. Martina Cole an English novelist is the same, repetitive pap and I’m sure there are many others. That is why I like books by self published authors, new, original stories.

If we were talking about Greats as in non-writers (although I don’t consider this person to actually be great) I’d like to sit down with the British Prime Minister David Cameron firmly strapped to a lie detector and ask him why as the P.M. he has abandoned democracy for a five year dictatorship, still I guess a lot of so called democracies suffer from this. After what I’ve said I definitely wouldn’t want them to critique my work.

JAZ:   Speaking of your work, tell the readers about it in twenty words or less. Ready, set, go!

TC: Book one is an international thriller, book two is a time travelling romantic comedy. Chalk and Cheese

JAZ:   What do you believe is the most important element of style? Do you focus on a particular element over another?

TC: I don’t believe I have a specific style, I’m not conscious of having one. I concentrate on making my writing, readable and enjoyable for the reader, no plot holes particularly and characters that you want to root for.

JAZ:  What is the most difficult element for you?

TC: At the moment simply finding the time to write.

JAZ:  If you were to dabble in a new genre, what would it be?

TC:  I keep getting ideas for new books and quickly abandoning them, but for a while now I’m planning a futuristic novel, (the next thirty to forty years) based on fact from the present day. I’ll say no more as I don’t want my idea stolen.

JAZ:     Lots of people enjoy well-crafted first sentences, others enjoy last sentences. Do you give any extra attention to either? What do you feel is more important? Tell us your favorite(s).

TC:  I believe every sentence of every paragraph should be well crafted, although I accept the first sentence should be an attention grabber and therefore should be the most important.

JAZ:   Stephen King said he writes for a particular person, in his case his wife Tabitha; do you write for a particular reader?

TC: If anything I write for myself, that sounds selfish but it is the truth, oh and for the seven billion other people who live on this planet we call Earth who might enjoy my stories.

JAZ:  Do you have a muse? What is your relationship with it? Describe him/her to us.

TC: No I don’t have a muse; I do have a baby however. Six months ago I created Books and Novels to Read.com a website dedicated to the marketing and sale of self published and indie authors books and novels. I didn’t realise then what a monster I was giving birth to. BNR takes up four or five hours of every day but the reaction from authors is tremendous and inspires me to keep going. I’ve sold some books through the website which is gratifying and makes the effort worthwhile. I just need to make the book buying public more aware of the website. Perhaps this interview will help in that direction.

JAZ:   Have you ever written anything that is diametrically opposed to your personal believes?  Was this difficult for you? If so, how did you overcome the obstacle?

TC: So far my writing has coincided with my beliefs and was therefore easy to put down on paper. Once again I know in my new book I will have to write things that are in extremis to my views. I don’t think I’ll have a problem with it however as a balanced view no matter how extreme is needed in all aspects of our lives.

JAZ:  Of your work(s), what/which are you the proudest?  Tell us about it?

TC: I believe my second published novel “A Lucky Break” is my favourite. I’ve always felt that time travel is a fascinating subject and bringing someone from the past to the present would be such a blast. In “A Lucky Break” I bring Esmeralda from the year 1647, the time of Charles II and Oliver Cromwell to the present day and play with her feelings and emotions as she sees what the 21st century has to offer. There is a serious message at the end of the book,  Esmeralda realises that our time has so much to offer and says.

“I’ll have some of that.”

Different words from our present day youth who clearly believe there is nothing to do, life is boring and all the rest of the platitudes that youngsters are given over to.

JAZ:   Tell us about your writing habits:

TC: As and when I can. Books and Novels to Read has taken over my life at present and then I have to be in the mood to write. Steven King supposedly writes a minimum of eight pages per day even if he’s on holiday. I could not do that, my writing has to flow and can’t be forced.

JAZ:   We’ve all seen the disclaimer: Any similarity to a person living or dead is purely coincidental; have you fallen back upon it or do you disguise your character’s influences?  Give us an example of a person in your life that you’ve used for inspiration as a character.

TC: I think my characters are more about who I’d like to be rather than any specific person I know. I believe us writers pick and mix our characters from all the thousands of attitudes, mannerisms etc that we come across in our everyday lives, at least I do.

JAZ:      If one of your characters came to life and wanted to meet you, which one would it be and how do you imagine the meeting?

TC: Esmeralda from “A Lucky Break” would be the lady I’d like to meet. A woman from the past, can you imagine the stories she would have to tell, it would be wonderful.

JAZ:  Every writer has fantasizes of being on the New York Time’s Bestseller list. In ten years, do you believe the list will be relevant? Why or why not?

TC: Lists will always be relevant. For some strange reason people love to consult the top ten of this that and the other, why I don’t understand. Just because ten thousand people buy a book or see a film doesn’t mean it will be to your liking. I say go with what you like.

However since running BNR and doing book reviews in a variety of genre outside my comfort zone, I’ve discovered you should look at other things, so perhaps looking at the NYT top ten list is a good idea after all. How’s that for a confusing answer?

JAZ:  I know I missed something, answer any question you’d like. (Insert   shameless plug(s) here if you so desire – remember, shame is a five letter word.)

TC: The traditional publishing industry needs to make a profit, it therefore, for the most part goes after “Sure Things” established authors and so called celebrities. Since running Books and Novels to Read.com I’ve discovered there are thousands of new fresh writers out there who through the internet are able to get their stories out to the book buying, reading public. So many established authors have run out of ideas and their work becomes stale. These new writers who don’t stand a chance of being traditionally published have new twists, interesting characters, and exciting plots. Have a look at Books and Novels to Read.com to find the latest in self published books by indie authors, you know it makes sense.

JAZ:   Post a snippet or first chapter of any of your works. Brownie points for   including the first and last sentences.

TC: Here is Chapter One of A Lucky Break.

To read this story correctly you will need to read it with a slight Scottish brogue, Sean Connery-ish. So, to start with my name is Campbell, James Campbell, I’m thirty, tall dark and handsome, some people say I’m a bit of a ladies man.

Sorry, this isn’t going to work, I’ve got to come clean and tell the truth the whole truth and nothing but the truth. I’m not really a Jock, no offence meant to any Scots reading and plus I’m pretty medium in all aspects of my life, medium height, medium build, mousy hair, medium complexion and a modicum of success with the fairer sex. I’m a Londoner born and bred loathe as I am to admit that, I don’t want to put off half the potential readership with them thinking here’s another book by some Southern nancy boy. I like Northerners, went out with a girl from Blackburn in the heart of Lancashire for a while. Olive skinned Shahirah with big dark almond shaped eyes, she was a great lass but cultural differences got in the way of our relationship. She supported Blackburn Rovers and liked Lancashire Hot Pot whilst I favoured West Ham United and pie and mash, but it was the socio economic differences that really began to tell. Shahirah couldn’t get over the fact that down South we had all the jobs and all the money and she claimed we Southerners rode on the backs of the productivity of Northern factories. Having said that, the time I spent up North was very entertaining and they are for the most part nice people. Like most of us from down South I thought there was a mill at the end of every street and everyone wore clogs. That’s not the case, it really is quite lovely up there, reminded me of some of the countryside in the Garden of England, that’s Kent if any of you are geographically challenged, but I digress. One more complete truth, I’m not in fact a true Londoner, I was born and raised in Bexley a commuter town thirteen miles from Charing Cross on what was British Rail’s Dartford Loop Line. I moved up to the big smoke soon after I started work. That’s it I’ve come totally clean and my name really is James Campbell, Jim to my mates but in truth I’m really Billy no mates but that’s another story.

So what is this yarn all about? I’ll tell you. It all started about eight months ago when a funny thing happened to me on the way to a job interview. What you might ask was I doing going to a job interview, well I’d become one of the great unemployed, a victim of the credit crunch. I worked for a bank.

“Serves you bloody well right then.” I hear you all say.

I wasn’t one of the people who caused it, honestly. I was a mere lowly messenger carrying bits of paper from one bank to another in the City of London. If you want my considered opinion the few thousand bankers throughout the world who caused the financial crisis should be stripped of all their assets then lined up against a wall and shot, enough of that. So as I said I was on the dole and quickly running out of money. There had been no big bonuses for me or huge salaries come to that, a modest income for a modest bloke living, well, modestly. The little savings I had were dwindling fast and the dole, well for a single bloke, it wasn’t much. I had applied for loads of jobs against a lot of competition and finally I was on my way for an interview, when IT happened, an event so unexpected, so tumultuous, and so overwhelming that it changed my life for ever.

I’ll get to the event in a minute. On the day in question I was wearing my best pulling suit, it had cost me a small fortune at Burtons, double breasted, wide lapels, clean white shirt, a reserved tie, black shoes and my gold cuff links. I felt the business when I wore it, possibly it was bit over the top for a job as security guard at the new shopping precinct I know, but I felt I had to make the effort. I’d caught the bus from my crummy bedsit in Highgate to change onto the tube to get to the precinct, cheering up Gordon Brown and all the Greenies, doing my bit for the environment by using public transport. Actually my personal transport was an old Lambretta and it had started to spit with rain so I didn’t want to turn up looking like a drowned rat.

Anyway I was walking along minding my own business when two guys standing at the entrance to a narrow alleyway between two buildings called me over. Now I like to think I’m a bit street savvy, but for some reason I went over to see what they wanted. One was a tall black guy well built with the latest designer hoody, loose jeans and a pair of trainers that looked like they had cost the best part of my last week’s wages. His mate reminded me of a Rottweiler, short squat and as ugly as sin.

“Want some gear mate?” The tall one asked.

Now I’ve smoked a couple of joints in my time, but to be accosted on the street like this in broad daylight totally out of the blue knocked me sideways, but not half so much as the push in the back that another of their mates gave me while I was stood open mouthed following their business proposition. I ended up ten feet up the alleyway on my hands and knees. Two hands grabbed the shoulders of my jacket and dragged me further up the alleyway behind a couple of wheelie bins. All I could see were two shiny black calf length Doc Martens with dark blue heavy cotton trousers tucked into the tops, for some obscure reason I was reminded of the Policía Local who wandered around the Plazas in Torremolinos, looking hard in their Ray-Ban’s, during my two weeks there last summer. Next thing the boots and trainers were flying into me from all directions. I managed to curl up into the foetal position and gave a bit of protection to my head and face. The kicking felt like it went on for two hours and fifty six minutes but it was probably only a few seconds. Then hands were searching my jacket pockets, they pulled out my wallet then my mobile, and then thankfully all I could hear was the sound of running feet and laughing.

I sat up slowly with my back against the wall and carefully checked myself over. It bloody hurt. I didn’t think anything was broken, but the state of me. My suit was ruined, there was a big tear under one arm pit, it was wet and muddy from the rain, plus it smelt. I think the lads had dragged me through something rather nasty. My head was swimming. I stood up and that was when ‘IT’ happened. I didn’t realise ‘IT’ had happened at the time, that came later. I didn’t know what ‘IT’ was until later, but believe me ‘IT’ did happen.

Terry is a hardy soul, he didn’t even break a sweat, not even the bright lights made him flinch.  Terry, good luck with your endeavors and a big thanks for regaling us  with your presence.

Bases Loaded and Niamh’s at Bat…

…Did I mention it’s the bottom of the ninth, two outs and the count’s…   you thought I’d say three balls and two strikes… nah, that’s too cliche’.   it’s  O and 2, the pressure is really on for our hero… London’s own Niamh Clune. Did I mention the lass is a Phd? That’s the second doctor this week, it’s starting to look like a hospital in here!  Oh, not that kind of doctor…   She’s the author of the cult hit – The Coming of the Feminine Christ, The Mystic Labyrinth, The Angel in the Forest, and the newly released Orange Petals in the Storm, may I present Niamh Clune!

WAITING

I wait each day, down by the ocean, sitting on our bench, looking out to sea. The relentless sun pierces through my linen shroud, like an X-ray picking clean my bones. I turn my face to it in supplication. Still, it beats down on me; whilst gentle waves of sea roll in, slide up the beach, and trickle through millions of grains of sand, each of little consequence.

A sand crab hurries away. I know not where. I do not wonder. I think only of you and the last time we met. You were dark that day, your passion spent. You could not love. You could not feel. You stood a distance away, dressed in a long grey coat. The heat never touched you. It did not X-Ray your bones, nor expose the wild, stunted heart that lay beneath that full, bleak envelope. A quiet breeze lifted your hair in billowing wisps, playing with it, tempting you to participate in the beauty of the day. You saw no-thing. Your eyes were black, shrivelled into thin points staring out to sea.

You should not have been there. You looked so out of place. The incongruity of the moment stabbed me like a shard of yellow sunlight bursting through the walls of my heart.

I remember now. A tear rolls down my cheek, splashes into the sand, and disappears inconsequentially, as a droplet carried in an ocean of tears.

You will never come again.

That time, you came to mourn me. You saw only an empty bench, a cruel, not gentle sea, and a crab that fed off my bones.

I am here my love, waiting still, in the moments when the wind rustles through your hair to tempt you into seeing the beauty of the day.

 

She swings, the crack of the bat ricochets through the blog,  it’s going, going, it’s outta here!!! Niamh Clune has homered!  She knocked it out of the park!